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Francisco Jose de Goya
Blind Man's Buff
1789Oil on canvas
Museo del Prado
Madrid
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Francisco Jose de Goya
Blind Man's Buff
1789Oil on canvas
Museo del Prado
Madrid
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Francisco Jose de Goya
Queen Maria Luisa
1789Oil on canvas
126.6 x 93
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Francisco Jose de Goya
Don Pedro, Duke of Osuna.
1790-18
Oil on canvas,
113 x 83.2 cm.
Frick Collection,NY
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Francisco Jose de Goya
The Straw Manikin
1791-92
Oil on canvas.
Museo del Prado
Madrid,
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Francisco Jose de Goya
Don Manuel Osorio Manrique de Zunica
1792. Oil on canvas
The Metropolitan
Museum of Art, N Y
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Francisco Jose de Goya
Duke of Alba.
1793Oil on canvas
195 x 126 cm.
Museo del Prado
Madrid
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Francisco Jose de Goya
Death of Picador
1794.Tin-plate,
43x32 cm
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Francisco Jose de Goya
Yard of Madhouse
1794. Tinplate.
Meadows Museum
Southern Methodist
University, Dallas
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Francisco Jose de Goya
Portrait of Francisco
Bayeu. c. 1795.
Oil on canvas.
Museo del Prado
Madrid
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Francisco Jose de Goya
Pedro Romero
1795Oil on canvas
85 x 64 cm
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Francisco Jose de Goya
Portrait of the Dutchess of Alba
1795Oil on canvas
194 x 130 cm.
Duke of Alba,
Madrid,
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Francisco Jose de Goya
St. Gregory
1797Oil on canvas
Museo Romantico
Madrid, Spain
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Francisco Jose de Goya
Portrait of Andres del Peral
1798.
Panel. National
Gallery, London
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Francisco Jose de Goya
Gaspar Melchor de Jovellanos.
1798Oil on canvas
205 x 133 cm.
Museo del Prado
Madrid
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Francisco Jose de Goya
Ferdinand Guillemardet French Ambassador in Spain.
c. 1798-1800
Oil on canvas,
186 x 124 cm. Louvre
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Francisco Jose de Goya
The Nude Maja
1799Oil on canvas
Museo del Prado
Madrid,
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Francisco Jose de Goya
The Clothed Maja
1800Oil on canvas
Museo del Prado
Madrid, Spain
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Francisco Jose de Goya
Charles IV and His Family
1800
Oil on canvas.
Museo del Prado
Madrid,
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Francisco Jose de Goya
Sleep
c. 1800.
Oil on canvas,
44.5 x 77 cm.
National Gallery
of Ireland
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| Francisco Jose de Goya
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Spanish Rococo Era/Romantic Painter and Printmaker, 1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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